Mythos.
An exhibition by Elio Sanciolo.
Introduction
Ever since we as humans developed a sense of ourselves as rational creatures with a need to understand our purpose and individual and collective place in relation to the world, we have wondered about the nature of existence and how things came to be as they are.
Our individual and collective life experiences inform us about what we can actually know about the world in detail at any particular moment in time, but there are things beyond our direct perception due to the innate limitations of our senses, that we can never fully understand, or know at all with any certainty.
The indistinct, and mysterious void that exists between our certainty about the world and what we can only infer about the world indirectly is the domain of myth and religion, and it is this nebulous area that I chose to explore for this last of a series of exhibitions dealing with time, perception, and memory. In this instance, cultural memory.
As was the case in the previous two exhibitions (‘Future Memories’ and ‘Opus’) , I was not concerned so much with exploring what we see, but rather how we perceive, recall, and construct our experiences of the world, through the filter of culture, time, and memory.
In order to do this, I looked at narratives and characters taken from the products of our collective cultural memory as memorialized in myth as a source of compositional inspiration. Hence the name and theme of this exhibition.
'Promethean' : Oil on Canvas- 183cm x 168cm . $15,500 More Information: As some versions of the story go in Greek mythology, Prometheus (one of the Titan giants) modeled humans from clay and then taught them agriculture and all the arts of civilization. He also stole fire from the gods and gave it to humans. So inventive was he that anything that bears the stamp of creativity and originality can still be called Promethean. Zeus, however, had wanted the human race to perish, so Prometheus' actions were also disobedient. Hence Promethean can also mean defiant of authority or limits. As punishment for his disobedience, Zeus chained Prometheus to a rock where an eagle daily tore at his liver. Thus, any suffering on a grand scale can also be called Promethean - though this sense is not as common as the others.
A Hero's Journey 156 x 140cm
Age of Innocence- Origin 156x 140 ( Framed)
Artemis 156 x 140cm ( Framed)
Calypso & Odysseus 76.5 x 91.5cm ( Framed)
Dionysian Reverie 156 x 140cm ( Framed)
Eros & Psyche 156 x 140cm ( Framed)
Gaia 76.5 x 91.5cm
Ilium 156 x 140cm ( Framed)
Apollo 156 x 140 ( Framed)
Searching for Ithaca 76.5 x 91.5cm ( Framed)
Thalia, Euphrosine & Aglaia 71 x 56cm ( Framed)